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Panos Karnezis

It is the summer of 1975. An Onassis-like tycoon is nearing the end of his life. When he finds out that his daughter, with whom he s having a problematic relationship, is pregnant by a man he does not approve of, he has a birthday party for her on his private island, secretly intending to persuade her to end the pregnancy: a doctor is standing by to perform the procedure on the spot. The story starts on the morning of the party before the guests arrive and ends the following day when all the guests are gone. The novel intersperses the events that take place before, during and after the party with…

Vintage

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About Panos Karnezis

Panos Karnezis was born in Greece in 1967. He came to England in 1992 to study engineering, and worked in industry before starting to write. He was awarded an MA in Creative Writing by the University of East Anglia. He lives in Oxford.

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About the Book

It is the summer of 1975. An Onassis-like tycoon is nearing the end of his life. When he finds out that his daughter, with whom he s having a problematic relationship, is pregnant by a man he does not approve of, he has a birthday party for her on his private island, secretly intending to persuade her to end the pregnancy: a doctor is standing by to perform the procedure on the spot. The story starts on the morning of the party before the guests arrive and ends the following day when all the guests are gone. The novel intersperses the events that take place before, during and after the party with flashbacks to the tycoon s rise to wealth and fame, from his childhood in Asia Minor in the 1920s to old age, via Buenos Aires, New York, London and Paris.

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Panos Karnezis interview/review

The Observer : March 20, 2005

Escape: TALES FROM MY TRAVELS: PANOS KARNEZIS: Memories of a lost world: The author loves to return to his childhood haunts on the quieter Cyclades islands
Interview by Carl Wilkinson

  1. Do you go back to Greece often?

I was born on the west coast of the Peloponnese, but grew up in Athens. I’ve lived in Britain for the past 13 years, though, and go back to Greece infrequently. For years I didn’t go often because I had a busy full-time job as an engineer and tended to take my holidays in Spain or the Canary Islands. Now that I write full time, I’ve started going again, staying longer and taking my work with me. My last visit was to Kythira, off the Peloponnese coast, which was a British protectorate in the 19th century. It’s an interesting island where you can go walking – and there are waterfalls. It’s very different to the typical, dry Greek islands that tend to be package-holiday destinations.

  1. What is your favourite part of Greece?

The islands. When I was younger I used to holiday with friends on the Greek islands, which were a sexy place for young people. We’d go out to the islands rather than places closer on the coast. I’ve been to Mykonos, Santorini, Crete, and Syros and Sifnos in the Cyclades. I tend to go to the quieter places now. I go walking in the mountains and take hiking maps. We didn’t have those 10 years ago, so there must be a growing market. The Greek countryside is not really owned by anyone so you can walk more or less anywhere you like. It’s virgin territory. I suspect it will not be like that for much longer.

  1. Do Greeks tend to travel much?

I have Greek friends who are not interested in coming to England or anywhere else. The majority of Greeks see holidays as a rest time, not as a time to discover different cultures. Greek Easter is a big thing and people take time off then. Greek society is becoming much more secular, but Easter is the time when most Greeks leave Athens to return to villages to stay with relatives. I think people are still rooted in their village culture.

  1. Is your writing inspired by Greece?

Very much so – by the landscape more than anything else. It doesn’t have to be the pastoral landscape of the countryside. It can be walking around Athens or taking the train south to Piraeus and going past these big apartment blocks which are not very beautiful. All these things provide my inspiration. I still keep in mind the image of Greece that I grew up with, and the image of Greece you see on TV. I try to play with that and do it in a humorous way. The stereotype is of village people who lead a happy and fulfilling life. It’s not like that now. I put these ideas into my first book which was a collection of short stories.

  1. Do you write in Greece?

I went back for five weeks but I find it difficult to write away from home. I need my base. I appreciated my country far more living away from Greece. There is something to be said for being an out sider and looking back in. You can be more critical. That geographical distance gives you a sentimental distance and you can be more objective. I don’t stay in Greece for long. I’d rather observe, talk and read then come home, close the shutters and work. You can’t really do that in a place like Greece.

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Starting Points for Discussion

  •  Marco Timoleon is a complex and not always likeable character. His generous spirit is evident at several points in the book, for example when he takes the construction workers from the Island for a flight in the Piaggio and asks the pilot to fly lower ‘so the workers could have the chance to see their homes’. And yet the same man attempts to orchestrate an abortion for his daughter. Why do you think Marco is such a contradictory character?
  • Discuss the theme of deception and lies in the book. What evidence is there in the book that lies can have a useful purpose? Can lies ever be justified?
  • Panos Karnezis contrasts strong, powerful women with weaker women. What is there to admire in Eugenia Timoleon, Pandora and Sylvia Frank?
  • Many of the characters seek refuge in escapism. What forms of escapism can you find in the book and do you think any of them are effective?
  • ‘You do not know me well enough to write my biography’. This book explores the idea of identity: Marco’s biographer realises ‘with a pang of disappointment’ that all his hours of careful research cannot guarantee that he has captured the real Marco Timoleon. When Marco re-traces his life with Olivia on honeymoon it is not as he remembered it: ‘Damn… You stole away my memories’. Do you think identity is fixed or is it something that changes?
  • Sofia is a child-like figure with many indulgent habits. Why do you think she is this way?
  • The death of Daniel Timoleon casts a shadow over the story, and yet he is not a particularly appealing character; he is described as ‘melancholy’ and later ‘detached’. Why do you think Panos Karnezis chooses to present him in this way?
  • Marco Timoleon is referred to several times as ‘The Richest Man in the World’ and yet he and most of his family and friends are unhappy. Do riches bring unhappiness to the characters in the book, or is it a result of other causes?
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Other Books by Panos Karnezis

  • Little Infamies

    Panos Karnezis’ remarkable stories are all set in the same nameless Greek v…

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  • The Birthday Party

    It is the summer of 1975. Marco Timoleon, an Onassis-like tycoon, is nearing…

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  • The Convent

    Those whom God wishes to destroy he first makes mad… The crumbling convent…

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  • The Maze

    Little Infamies was one of the great successes of 2002: a collection of ex…

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Suggested Further Reading

  • The War of Don Emmanuel’s Nether Parts ~ Louis de Bernieres
  • The Great Gatsby ~ F. Scott Fitzgerald
  • Shalimar the Clown ~ Salman Rushdie
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